Author: Rajnarayan Basu

Rishi Rajnarayan Basu (1826–1899) was a towering but now overlooked figure of the Bengal Renaissance and one of the earliest architects of Indian nationalism. An author, orator, educator, and social reformer, he displayed a rare combination of sharp intellect, deep spiritual conviction, and an almost ascetic work ethic. As a Professor of English in the Sanskrit College in Calcutta, he taught Ishwarchandra Vidyasagar. As a collaborator of Debendranath Tagore in the Tattwabodhini Sabha, he defended Hinduism and Indic culture against attacks by the Scottish missionary Alexander Duff. As a close friend of Michael Madhusudan Dutt and a mentor of Swami Vivekananda and Rabindranath Tagore, he left an indelible mark on India’s intellectual life for years to come.

He was also the maternal grandfather of Sri Aurobindo, who revered him deeply. Upon his death, Sri Aurobindo composed the moving elegy Transiit Non Periit (He has passed, not perished). To Aurobindo, Rajnarayan represented not only family, but also his philosophical lineage—an early nationalist who laid the ground for India’s spiritual and political awakening.

In our time, as we re-examine the foundations of Indian identity, Rajnarayan’s voice—deeply principled, passionate, and prescient, but unfortunately lost—deserves to be heard again.

MORE ABOUT THE BOOK

Basu is part chronicler, part critic: lamenting the physical and moral decline of his contemporaries, the blind imitation of Western customs, and the slow fading of native arts and language. Yet for all his sharpness, Basu ends with hope, urging his countrymen not to lose heart. Fearless, candid, and full of life, Those Times & These Times is as much a conversation with our own era as it is a record of his.

In addition to being rich source of history, Those Times & These Times is startlingly relevant today. In an age of rapid modernisation and cultural uncertainty, Basu’s warnings against blind imitation, loss of language, and hollow notions of progress strike closer to home than we might expect. His voice deserves to be heard again—not as nostalgia, but as critique, comedy, and counsel. This translation is only a beginning, inviting readers to reflect on the dance between continuity and change, and perhaps find not just answers, but new questions for the bewildering times we live in.

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